Chris Lord-Alge

Console: Solid State Logic 4000E Super Analogue Console Monitors and Video: Westlake HR1-X Mains Sony 42” Flat Panel Plasma Display 2 Sony WEGA 20” Flat Panel Displays Yamaha ns10 M&K 1610 Multitrack Tape Machines : Digidesign Pro-Tools HD System with an Apple 21” Cinema Display and latest Power Mac. Studer A-827 Sony PCM-3348 or 3348HR Two Track Machines: Ampex ATR-100 Panasonic SV-3700 DAT HHB CDR850 Compact Disc Recorder Apogee PSX1000 series AD/DA Converters Outboard Gear - Time Based Effects AMS-RMX 16 AMS-DMX 1580 DDL EMT 140 Analog Plate Eventide DSP-4000 Eventide H3500 Lexicon 480L & 960L Lexicon PCM 70 (2) Lexicon PCM 91 Lexicon PCM 42 (2) Quantec QRS-XL Roland SDE 3000 (2) TC M3000 TC D-TWO Yamaha SPX 90 (2) Yamaha SPX 900 Outboard Gear - Dynamic Effects Avalon 737SP Universal Audio LN 1176 (10) Universal Audio la 3A (6) Emperical Distressors (2) GML 8200 St. EQ’s (2) Manley EQP-1A Neve 33609 Stereo Comp Summit MPE-200 EQ Summit EQP-200A St. EQ Summit 200 St Comp (2) TubeTech LCA 2B St EQ Tubetech PE 1C EQ (2) Urie 1176 Waves L2 St Maximizer

Chris Lord-Alge gained notoriety while working at Unique Recording Studios, New York City in the 1980s for his mixing on James Brown's Gravity album, which included the hit song "Living in America", the Rocky IV soundtrack, Prince's Batman soundtrack, Joe Cocker's Unchain My Heart album, Chaka Khan's Destiny album, Carly Simon's Coming Around Again album, Tina Turner's Foreign Affair album and 12" remixes of Madonna's "La Isla Bonita", the Rolling Stones' "Too Much Blood" and Bruce Springsteen's "Dancing in the Dark", "Cover Me", and "Born in the U.S.A.". While working in Japan (1995–1997), [citation needed] he worked with Tetsuya Komuro, No! Galers, Namie Amuro and hitomi. Lord-Alge has focused on mixing since the late 1990s, resulting in an extensive production discography (see below)